Tag Archives: Harry Potter

The Hunger Games (A Review)

The Hunger Games takes place in a post-apocalyptic North America now known as Panem. 13 Districts rose up againts the Capitol but failed in the attempt, leading to the destruction of District 13. To keep the remaining districts in check, the Capitol decreed that each district must offer a male and female “tribute” to complete in an annual  televised death-match known as the Hunger Games, where only one victor may emerge. Now from District 12 comes Katniss Everdeen (Jennifer Lawrence) who volunteers as tribute to save her younger sister Primrose from certain death. Katniss must now survive in this brutal death-match, as well as discover whether her feelings for fellow District 12 tribute, Peeta Melark (Josh Hutcherson) are genuine or simply a cover-up for the media frenzy crowd of the Capitol.

Right from the beginning, the filmmakers knew their target audience: the fanboys/girls of Suzanne Collin’s highly popular trilogy of books. And with that in mind, I would have to admit that they did a pretty decent job in making the film. The film’s plot stayed true to that of the source material, and the changes were reasonable enough in order to streamline the narrative flow of the film. Simply put, this is one of the best franchise openers for a film based on a young adult novel surpassing even that of the first Harry Potter and Twilight.

The Good (minor spoilers ahead)

Hands down, one of the film’s strength lies in its screenplay. I applaud the screenwriters (including Collins herself) for capturing the novel’s plot right on. Granted there were some changes (the final encounter with the genetically enhanced wolves might be disappointing with the purists, as well as the “upbeat” ending of the film), but these are changes done in order for the film’s narrative to be  smoother. Unlike Harry Potter and the Sorcerer’s Stone where the film moves at a snail’s pace because of its slavish devotion to the sources material, this particular film manages to remain faithful to the source material yet at the same time, manages to escape the pitfall of being too loyal to the book. This may be due to the fact that the book’s narrative (despite being in the 1st person perspective) is “cinematic” enough that adapting it would be easier as compared to Harry Potter.

Second up is the casting. Jennifer Lawrence plays the role with such ferocity as the strong-willed woman hunter Katniss, yet she gives a sense of vulnerability in the more tender moments of the film (particularly in a scene where she honors a fallen tribute). Josh Hutcherson’s performance, on the other hand, reminds me of Tony Leung Chiu-Wai. Josh’s acting chops are definitely one of the best, and it’s good to know that he’s finally getting his big break in Hollywood. The supporting cast do their jobs well, particularly Woody Harrelson who plays Haymitch Abernathy, a former victor  of the Hunger Games; and Stanley Tucci, whose over the top performance as game emcee Caesar Flickerman, is effective that you’d want to knock his teeth out whenever he smiles or laughs his guts out.

The Bad (minor spoilers ahead)

I have some gripes, however, about the cinematography of the film. Granted, while the film is rated PG-13, this is still a particularly violent film. A tribute breaks the neck of his opponent, the protagonist unleashes a legion of wasps at her enemies (resulting in the death of one),  a tribute is impaled with a lance, and one is the subject of a feeding frenzy by genetically enhanced wolves. While these scenes are enough to warrant an R-rating, director Gary Ross manages to dance around the ratings by shooting the film using hand-held shots. Thus, we don’t exactly see the carnage we’d expect from a genre such as this, but because of the “grittiness” of shooting the film guerilla-style, the violence of the film, ideally, should be highlighted. I’m sorry to say that this is not the case with The Hunger Games.

The action sequences, as I recall from the book, were good. They are clearly described, and engaging to an extent. The film’s action sequences, on the other hand, are uninspired. They are generic, there are too few, and are diluted by the hand-held shots. I actually felt dizzy at times as I was desperately trying to see what was going on on screen. Yes, the shaky-cam was too shaky that I could hardly see anything on screen. Granted, the action set-pieces aren’t particularly bad (the best being the wasp hive sequence, the tension of the scene was great), but the effect was diminished with the hand-held cameras.

Another reason for the film’s uninspired action sequences might be the director himself. Gary Ross is known for his dramatic films, and for him to tackle an action packed novel such as The Hunger Games might have new to him.

Regarding the changes done to the book, it might not be too distracting for non-fans but it definitely was for the purists (take note however that these simply nitpickings). I watched the film with fans of the books and one of them hated the “happy ending” of the film (as one of the fangirls said, “The ending was shit! How could they do that?!”). I read the book and I was expecting the bleak ending but I actually didn’t mind the film’s ending. But all I’m saying here is that (as with film adaptations of books) there would be some changes which the fans will hate. I personally didn’t mind the changes as I understand that there are some things which will not translate well on screen.

The Verdict

For a film which highlights a violent death-match to have it’s violence neutered by the hand-held cameras, this almost seems like a death sentence. However, that major fault is salvaged by a relatively spot-on adaption of the novel’s plot, and the inspired performances by its cast. Despite the director’s limitations with the action genre, I still feel that he had a deep respect for the material and he sought out to give something special for the fans of the book. I’d say he did a decent job. And like what I said about the books, The Hunger Games is definitely not THE best film out there, but it certainly fulfilled its end: to entertain the audience enough, despite it’s limitations.

Oh, and for those fans who hate the film unreasonably by calling it a rip-off of Battle Royale, it is a huge disservice for both material to be compared to each other as they are two completely different works. I acknowledge that Battle Royale is possibly the more superior film, but that would be tantamount to comparing Harry Potter with The Lord of the Rings. Both are the “same” in the sense that both are in the fantasy genre, that’s it. The same goes with The Hunger Games and Battle Royale: both movies are the same, in the sense that both have a death-match in it, that’s it. Other than that, both are completely different from each other.

4 stars out of 5.

That 2011 Year Ending Post (which is one day early)

A Disclaimer (or Introductory Rambling) from the Evil Doctor (who happens to be an elementary English Teacher)

First of all, I decided to write this now instead of tomorrow or on January 1 as tomorrow is New Years Eve and there will be no way for me to write this entry properly in the middle of all the food, fireworks, and my nephew and I playing Metal Gear Solid 3: Snake Eater on my brother’s Playstation 2. Plus, I return to work in the first week of January, so there wouldn’t be enough time for me to write this too in the middle of crafting lesson plans, rereading Arthurian legends, and coming up with questions for Wordsworth’s I Wandered Lonely as a Cloud. *sigh* Such is the life of one belonging to the academe.

Secondly, you must have noticed that I haven’t written that much reviews this year (then again, I didn’t either in 2010). That’s because I haven’t had the chance to go to the movies frequently this year. Sure I may be working now, but with the work comes more work and less time for leisure (except on weekends, where I’m content to fattening myself with food and countless hours of playing Star Craft with my college friends).

So in short, I apologize for having fewer movie reviews and more movie rants and ramblings. I really hope that next year would see this review blog having more film reviews than brain-farts.

2011 in Film

Well, I sure missed a lot of films this 2011. I wasn’t able to see Immortals, Midnight in Paris, Cowboys and Aliens, Fright Night and some other films. Additionally, David Fincher‘s The Girl with the Dragon Tattoo has yet to be released here in the Philippines, courtesy of the Metro Manila Film Festival (where moviehouses, except Imax cinemas, only show locally made films).

As such, the films on this list are the films which truly made an impact for me in 2011, both good and bad.

Dr. Bok’s Films for 2011

1. The Tree of Life: I was planing to watch this on video for the subtitles as Terrence Malick films are notorious for their narration. This wasn’t any different, but my goodness how I regret missing this on the big screen. While I am not a huge fan of Malick, this truly polarizing film is worthy of recognizing for its ambition, its visuals, and its coming of age story sandwiched in images depicting the violent birth and death of the universe, as well as the peace in between.

2. Drive: What we have here is an art-house film with cool action sequences, or should it be an action film with an art-house feel? Regardless of this, Nicolas Winding Refn‘s Drive is definitely one of the best films of the year as it features strong performances from its actors (Ryan Gosling, Carey Mulligan, Bryan Cranston, and Albert Brooks), tension-filled sequences (the opening heist and the elevator sequence being good examples), and some of the best use of gore in recent years (without being overtly gore-nographic about it).

3. Harry Potter and the Deathly Hallows Part 2: 2011 will be a special year for Harry Potter fans as it is the year that the film franchise ended. Admittedly, the film suffers from the source material’s inherent weakness. However, due to strong performances from the performers (especially Alan Rickman), and great direction from David Yates, the film manages to dance around the inherent story weaknesses and provide us with one of the best film conclusions in recent years.

4. The Rite: The last great exorcism film was The Exorcist. This is the next. While definitely not a perfect film (and not to mention having a specific target audience), the film excels in its mostly cerebral scares, tension filled scenes, and a performance where Anthony Hopkins channels his inner-Hannibal Lecter for his *SPOILER ALERT* demonic performance as the exorcist turned possessed victim.

5. hopefully David Fincher’s The Girl with the Dragon Tattoo or Steven Spielberg’s War Horse…

Honorable Mentions of 2011 (in no particular order)

1. Source Code: I would definitely look out for Duncan Jones in the future. His film debut, Moon, while being strangely predictable, is one of the better sci-fi films in recent years. His sophomore effort, Source Code, again while flawed, offers enough thrills and wows, and definitely cements Duncan Jones’ reputation as sci-fi filmmaker.

2. Thor: While suffering from weak script, Thor  just proved two things to the world: that Natalie Portman is capable of having more emotion other than what she showed in Black Swan, and that Kenneth Branagh could handle mainstream action films.

3. Insidious: My review of Insidious wasn’t exactly that favorable, except for the part where I mentioned it being an experiment in using minimalism and surrealism in horror. In those two aspects, Insidious deserves some recognition.

4. The Adventures of Tintin: Spielberg may not be at the top of his form with Tintin, but he was able to handle the often problematic medium of performance capture animation and succeed where Robert Zemeckis failed with The Polar Express, A Christmas Carol, and Beowulf.

5. Transformers 3D (Transformers: The Dark of the Moon): While not necessarily profound or life-changing, Michael Bay’s third entry to the Transformers films is worthy of recognition for the fact that this one had a story and that shooting it on 3D forced Bay to keep his cameras relatively still.

Dr. Bok’s Hate List of 2011

1. Melancholia: A pretentious title. Some heavy-handed musings on depression. A repulsive theme. Need I say more?

2. The Adjustment Bureau: While Emily Blunt was admittedly pretty to look at, the ridiculous contrivances of the angels and Terrence Stamp in this film sure wasn’t.

3. Breaking Dawn Part 1: They showed the trailer during a screening of The Deathly Hallows Part 2, so I’m required to hate this film on principle.

4. The Human Centipede Part 2: I didn’t see it. I have no plans on watching it. I hope nobody sees it. I hope nobody ever makes trash like this again.

5. Sucker Punch: All style, no substance, and a non-existant plot narrative. Zack Snyder should just direct and not write his films.

HAPPY NEW YEAR MY DEAR MINIONS! SEE YOU WHEN THE DARK KNIGHT RISES IS RELEASED! 🙂

Review: Harry Potter and the Deathly Hallows Part 2

This review will be quick and to the point, so as to lessen the risk of my forgetting certain portions of the film.

As usual, this will be divided between the Good, and the Bad. Oh, and I saw this on a standard 2D theater.

The Good

I would definitely say that the performances of the actors are the strength of this film. Considering the somewhat inferior material to begin with (*gasp!*), the actors were able to deliver performances which were emotionally truthful. Alan Rickman possibly gives THE performance of his career as the tortured Snape; Ralph Fiennes is as villainous as ever (not to mention Helena Bonham Carter as Bellatrix Lestrange); and trio of Daniel Radcliffe, Emma Watson, and Rupert Grint show some of the best acting since the start of the film franchise. Special mention should also be given to Matthew Lewis, who plays the used to be bumbling Neville Longbottom (keyword: USED, watch the film and you’ll see why).

The second strength of the film would have to be direction. David Yates has always found ways to work around the problematic portions of the books in his previous works (though Part 1 would still be the anomaly). As for the action sequences and effects shots, this installment contains some of the best effects since the wand fight between Voldemort and Dumbledore in Order of the Phoenix. The Battle of Hogwarts is definitely the film’s set-piece.

Lastly, the decision to use John Williams’  original themes in key segments of the film is definitely a huge welcome. If there was something missing from the fourth film onwards, it was Williams’ music.

The Bad

The film was dark. And I’m not talking about the themes and the story; it’s just too dark to see anything properly. There is the possibility that some characters wouldn’t be recognized because they weren’t lighted properly. And this darkness would probably post some problems to those who saw it in 3D.

I also mentioned something earlier about the film’s inferior material. Most Harry Potter fans would probably agree that the series went downhill with Order of the Phoenix. I personally think that the books went back from the dead with Half-Blood Prince, then it started undergoing rigor-mortis with Deathly Hallows. Now I said earlier that while David Yates was able to work around the problematic portions of the books, he just couldn’t fix everything. Like the final book, the film was banking on the audiences’ sentimentality to the characters they have grown with and followed throughout the years.

This film, like the book, indiscriminately disposes of characters left and right, characters which could have been put to even better use than to just stand in the background, deliver lines, then just drop dead. Sure, we may remember their characters from previous films. But that’s just it: we remember their character then. What we receive now are characters which have stagnated, which have not been developed further. Instead, we get these additional characters which we’re supposed to empathize for, but due to the lack of decent character development, their deaths just comes off as irritating.

Now pardon me for sounding heartless, but this is one of the main problems I had with the final book, and unfortunately it kinda manifested here too. This bothers me so much because there, too, is a work which indiscriminately disposes of its characters like flies. Unlike this film, however, every second of character development was used exceedingly well that upon their death, we genuinely feel a loss. The film, also based on a book (a controversial book that is), was called Battle Royale

Oh, and for some minor griping, the much awaited kiss between Ron and Hermione kinda came out of nowhere. But then, so did from the book. Oh forget about it! :))

The Verdict

As you can see, the main problem was the source material itself. However we must give credit to David Yates for being able to work around the problem and give us a definitely satisfying conclusion to a series of films which began in 2001. For goodness sakes, if he is able to drive some poor fan to tears (sniff*sniff) with shots of those characters we love, this shows his skill in manipulating the audiences’ emotions. Additionally, the performances would have come as wooden and one-dimensional considering the problematic story. This is not the case with this film: the actors and actresses came off as believable (the ones that mattered anyway). That is a mark of a good director.

The spectacle was well done. The music was good. And the conclusion was satisfactory.

Yes, the good parts of the film definitely outweighs the bad, and for those disappointed with the first installment (ahem!) will find this film much better.

Mischief managed.

:’-(

Good bye Harry.

4.5 stars out of 5

*sniff*

Now that that’s over, time to marathon The Lord of the Rings once more! ;P

A Decision

I’ve decided to pass on The Tree of Life. Will be waiting for it on DVD or on a medium which has subtitles.

So the articles to expect in the following days should my wallet be cooperative will be one of the following: Transformers 3D (yep, I’m calling it that) Harry Potter and the Deathly Hallows Part 2, and Captain America.

See you in the following days!